6,506 Royalty-Free Audio Tracks for "Kill Patrick 1 By Patrick Kilpatrick (album)"

*1 step in 16 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/16:1 = 75 cents. MIDI pitch bend: 127,55

Alexander Scriabin: opus 40.02

Alexander Scriabin: opus 32.01 (Clavinova version optimized for General MIDI)

Dufay - Missa cantus firmus, derived from Se la face ay pale.

Bar 131 to 134 from Grieg's Humoreske op. 6 nr. 4

Robert Schumann, Album für die Jugend, Op. 68, Nr. 10: "Fröhlicher Landmann, von der Arbeit zurückkehrend" ("Happy Farmer, Returning from Work"), 37 seconds

Alexander Scriabin: opus 25.03

Alexander Scriabin: opus 13.01

Nederlands: Gabriel Fauré (1845-1924): Après un Rêve, op. 7. Van Mutopia, publiek domein. De oorspronkelijke compositie is van Gabriel Fauré, die al meer dan 70 jaar overleden is, en het voor 1880 geschreven heeft. Voorzover er auteursrechten rusten op de bewerking tot midifile, heeft de auteursrechtenhouder het zelf in het PD geplaatst, zie de link op de bestandspagina en [1]

Berlioz Symphonie Fantastique finale, bars 1-4

Mussorgsky Gnomus original bars 19-24

Mozart - Requiem (Krips) - IX. Domine Jesu

Dufay, "Mon chier amy"

Mozart - Requiem (Krips) - V. Rex tremendæ

07Haydn NelsonMass-Credo EtRe

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 01. Requiem aeternam

01Haydn NelsonMass-Kyrie

Alexander Scriabin: opus 42.01

Alexander Scriabin: opus 32.01 (on Yamaha Clavinova)

Ausschnitt aus Joseph Haydns Klaviersonate Hob. XVI/Nr. 8

Alexander Scriabin: opus 25.09

Example of atonal music which avoids octaves, avoids major and minor triads, avoids more than three notes from the same diatonic scale, and avoids conjunct melodies/uses disjunct melodies. From Schoenberg's Klavierstucke, Op. 11, No. 1.

Bars 1–2 from Claude Debussy's Sarabande from Pour le piano. Midi version created by Hyacinth (talk) 20:32, 4 February 2011 (UTC) using Sibelius 5.

Dresdner Amen

Jacques (Jacob) Arcadelt: Io dico che fra noi.

Subtonic as secondary dominant to the mediant in minor from Brahms Op.76.7, Eight Pieces, for piano (1878).

Robert Schumann: Album für die Jugend, Op. 68, No. 1 "Melodie"

Alexander Scriabin: opus 42.06

Opening measures of Chopin's "wrong note" etude Op. 25 No. 5, demonstrating a humorous use of the minor second. The original work is public domain, image created by the uploader.

Parallel fifths from German sixth resolution in Mozart - Symphony K.453.

Alexander Scriabin: opus 15.02

Recording of music written by Frederic Chopin

Purcell Fantazia upon One Note

Recording of music written by Frederic Chopin

Scarlatti Keyboard Sonata K119 bars 143-168

Schumann-Fantasie In C Major Opus 17- Movement 3- Lento

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Song by Ustad Qasim Jo.

Haydn Quartet Op.76 No. 6, finale bars 119-132

Schumann- Fantasie In C Major Opus 17-Movement 2- Maestoso Sempre Con Energia

Haydn, Symphony 97, third movement, bars 109-116

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Liszt- Funerailles

Mendelssohn String Quartet 2, 3rd movement (Intermezzo)

Liszt- Mephisto Waltz

Haydn, Symphony 94, second movement bars 150-156

Schubert A major sonata D959 closing bars of first movement

Polonez B-dur op. posth. 71 nr 2Polonaise B-flat major Op. 71 no. 2

Liszt; piano concerto No. 1, I. Allegro Maestoso